The Craft: From Pepper to Psychological Horror
My approach to character work is primarily physical; I figure out the character's gait and physicality first, and then build the interior life. For Pepper on American Horror Story, I researched Schlitzy (the real-life microcephalic) and then worked with a coach to define her inner self. What’s most important is that the actor has a backstory, even if the audience doesn't know it.
This process was similar but distinct for my role in HIM. After watching the film, I questioned if my character, Marjorie, was even real—or if she just represented the dangerous, crazed fanaticism that is sadly a real fraction of the American population. I was just hired help, a cog in the wheel, and my job was to do the performance and leave the critique and editing to others.
It is genuinely thrilling to be home and to see New Mexico truly become a Mecca—a "Hollywood Southwest." When I first pursued my dream, you had to go to Los Angeles. Now, when I drive onto the Netflix lot here, it’s no different than driving onto the Paramount lot. There is no need to sacrifice quality when filming here. You have the same pros and high production value as any major hub.
New Mexico requires zero sacrifice. You get the vistas, the tax breaks, the high production value, and the talent, all in one place. For me, a place where people can’t hear you scream is truly scary, and the remote, rural beauty of New Mexico perfectly provides that cinematic feeling. The state itself is a vital character in HIM.
The commitment to local talent here is real: I was cast in HIM after the casting director saw my one-woman solo show in Taos. That moment showed me that the film industry is willing to take a chance on local talent and trust in the creative work being built right here.
The biggest advice I can give aspiring actors is that you do not have to move to Los Angeles, but you must be prepared. They say luck is when preparedness meets opportunity, and if you are not prepared when the opportunity comes, it doesn't matter.
Ultimately, the goal of the New Mexico Film Office’s work is clear: to ensure the stability of the industry so that film can be a high-paying profession New Mexicans can build a life and a family around.